Colorizing old b&w photos helps expose details that can be difficult to discern otherwise.
"Treblinka" "revolt" photo taken by Zygmunt Wierzbowski (a random person no one knows anything about)
"Last" Jew of "Vinnitsa" (actually Berdychiv)
Archie wrote: ↑Fri May 29, 2026 12:37 pm
In Denierbud's videos, one of his main techniques was simply to portray the story visually. This is very effective. But it's also hard to do and labor intensive. As this gets easier and easier, we should be able to take better advantage of visuals.
Rachel Auerbach wrote a "screenplay outline" of the Treblinka Revolt, as well as a radio play that could be turned into a series of photos/videos. I haven't played around with AI image generation for story boarding a project like that.
Portraying literal interpretations of eyewitness accounts could expose the schlock inherent in some of them. Attempting to connect them all together would also highlight the contradictions.
- Himmler's visit to a single camp, reported in every single month for seven straight months
- wild beatings and shouting, followed by calming speeches for which Jews applaud, followed by wild beatings, followed by orderly handing over of currency in exchange for a receipt, followed by merciless beatings and shouting, followed by a calming speech, followed by shouting and beatings
- a band drowning out the sound of wild beatings and shoutings, screaming bathhouse victims, the relentless sound of excavators digging up the ground, and giant burning mounds of corpses
With how much nudity is in them, though, I'm not sure where they could be posted. And nudity is such a consistent theme in eyewitness testimony that it couldn't be entirely excluded.
Probably why most death camp hagiographies only quote a sentence or two at a time from each witness.